Showing posts with label Beirut. Show all posts
Showing posts with label Beirut. Show all posts

Monday, 24 August 2020

The Screaming Womb: Life Amid Despair

 Grace Khawam writes:

Artist: Joan Abou-Haidar, August 2020


























She was born in the Golden Era. She was as beautiful as the sunshine in fields of wheat on a hot summer day. A happy childhood, playfully spent in carnival-like markets full of colored silk, rose water soap, scents of thyme and jasmine flowers. Visitors came from all over the world to see her, to admire her beauty as she turned into a shy teenager. Movie theaters, concerts, cultural spaces, were bursting with admirers, where poetry and music intertwined, drunken souls dancing through endless nights. Nothing predicting what will happen to her next. A bus attacked and all its passengers killed. A war declared. Scared, naïve, she is caught in the clashes, with nowhere to hide. Her body is bruised from beatings, punctured by gunfire. She endured, silently, crying tears of blood, as she witnessed hatred, greed and terror. Fifteen years of civil war, but she withstood. She stood up, an unyielding fierce young woman, prepared to pick up her shattered pieces and ready to give again. And she gave. With generosity. With love. With peace. She became the symbol of cultural diversity, of metropolitanism, of urban prosperity, of religious tolerance. This is when her fathers, her kin, but also strangers started to take interest in her. Strong, greedy men of power. Warlords. “We will save you” they told her. She needed no saving, but they did not listen to her. The self-proclaimed protectors spread out their grasps, clutching her throat, trapping her with their wretched claws. She became a prisoner. A prisoner of their narcissism and corruption. A prisoner of their business deals. She gave birth to sons and daughters, the product of her rape. She raised them with so much care and affection, with much respect for themselves and love for their country, only to see them runaway to faraway lands, escaping the clenches of the greedy powerful men. They carry with them their dreams and their memories, and her blood running through their veins, wherever they go. She is an older woman now. With heavy steps and painful memories, she moves on, as she has always done. We can still hear the songs written for her by long lost lovers. Many will chant her name, in the faint hope of reawakening her beautiful youthful days. 

Until it happened. The day that changed her forever. A massive explosion blows her body, ripping her from the inside. An explosion caused by them, the greedy evil men. Betrayed by her lovers, abused by her protectors, she lies still on the floor, her bloodied hands on her butchered womb. From the top of her collapsed lungs, she screams in pain and agony. "What have you done to me?" she cries in despair. "What have you done?"


We all know her story. We all know her name. She is Beirut. 

Monday, 22 October 2018

Refugees as citymakers

Cathrine Brun writes:

I had the great honour of being invited to participated in a panel debate at the American University of Beirut (AUB) on 10 September 2018 to launch a new report titled Refugees as City-Makers, edited by Mona Fawaz, Ahmad Gharbieh, Mona Harb and Dounia Salamé at AUB:

The innovative report approaches forced migration through the lens of individual and collective agency and focusing on the transformative impact that refugees have on urban space as home-makers, city navigators, political subjects and urban producers, largely but no solely in Beirut. The ways in which individual experiences, agency, resilience and humanity are explored in the report and the innovative and creative methods that have been developed and adopted for the study of forced migrants in the city stand out as a significant contribution.

I very much enjoyed reading the report. The report is written with an energy that inspires, and with insights that challenge the reader in multiple ways. Many reflections and ideas came up in the course of reading the report and my short commentary presented in the debate is summarised below in three points. 

First, the report contributes to addressing the urban itself. The humanitarian community and forced migration researchers are still to come to terms with the urban. We need new ways of creating knowledge about the urban: and forced migrants as a constitutive part of the city, and there are many examples in the report of how we can further these insights. The interesting inclusions in the report of refugees’ material and immaterial practices in refugee camps and so-called informal tented settlements bring out the perspective of the urban in very particular ways. The often open spaces transformed by building and dwelling in camps stand in stark contrast to the already built up, dense material environment of the urban neighbourhood where people learn, but also changes, the landscape. Emphasising both mobility and neighbourhoods – the interaction between flows and stillness – is a particularly important way to analyse the city and refugees as city makers. I think this point is excellently portrayed in multiple ways and one example is the poem on page 122: The sleeper, the waiter, the wanderer and the bystander.

The way the urban is approached also then very much connects with my second point: which is the rich ways in which several authors point out the paradoxes of forced migration in the city. In particular these paradoxes come out in the discussion of the legal status: how challenging it is to be without a status and how creatively many refugees without status manoeuvre and negotiate the city and how networks are relied upon in that process. We also learn about the profound implications and uncertainty that the lack of status produce. Simultaneously, different contributions show so well the changing dynamics of legal status and how, even with status, refugees are often leading very precarious lives.

With all this richness it really touched me to read Dima El-Khoury’s statement on page 99 when she says: “it is virtually impossible for Syrians today to develop a healthy, comfortable situation in Lebanon”. 

Much more research must go into understanding the implication of status and we need that urgently, because it is not sufficiently problematized in the current global policies for refugees and migrants.

This brings me to my third point: the ways in which forced migrants use, resent and relate to the humanitarian category of ‘refugees’: It differs so much from situation to situation and also within one group of forced migrants. The report shows the need for always understanding the contextualised meaning of these labels and categories that are at the same time universal but extremely localised. A strong testament is the Syrian men in their 20s and 30s living in Getawi who rejects the label refugee and use the urban context to enable reclassification based on the geopolitical landscape that emerge in the city through flags, banners and other symbols. Through these stories we can understand the role of the refugee label in the city and its changing character produced in the dynamics between the refugees and the city. The presentation of banners about refugees in the urban landscape is overwhelming and the analysis of those banners on page 87 is telling when it shows that the word ‘displaced’ only appears twice on those banners.

Here is also the place where I would like to introduce the dimension that I missed: I get a clear sense of the ways that the refugees are city-makers. That they create an alternative image of Beirut portrayed in the maps presented, but I would have loved to see how that alternative image is more actively encountered, engaged with and negotiated by others who are adjusting to these alternative maps. These may the unheard voices in the report: and we can argue that they often get enough space, and that it is not the purpose with this publication to provide those voices. However, more insights into the interaction between different groups of city makers – like more established groups in the city – could contribute to further understand the way the refugee label is used in the production of the city. While it is a big task, it could potentially help to develop this enormously rich material and to theorise beyond Beirut and back into a general understanding of the urban, which was my first point.

There is much more to say, and I am sure the report will continue to create debate and inspiration for further study. So I leave it with the conclusion that this is certainly a publication that I will be using in teaching and research and I hope that the research results will be analysed further, synthesised further and that more comes out of it.

The whole launch of the report can be watched here: https://www.youtube.com/watch?reload=9&v=CyOH7RsBQDc